

Birmingham (Birmi... | 06:35 | Reus (Reus) | España | 10:00 | Low Cost | ![]() | Turista | | |
Birmingham (Birmi... | 06:35 | Reus (Reus) | España | 10:00 | Low Cost | ![]() | Turista | | |
THEATRE | ||
COMPANY | LORD ALMIRAL'S MEN | LORD CHAMBERLAIN'S MEN |
PLAYWRITER | | |
MAIN ACTOR | ||
MANAGER | ||
PATRON |
James Burbage had a long history as a theatrical entrepreneur. In 1576 he built the first successful amphitheatre, known as The Theatre, in a London suburb. Twenty years later, when the lease on The Theatre's land was about to expire, he built the Blackfriars as its replacement. But the wealthy residents of Blackfriars got the government to block its use for plays, so his capital was locked up uselessly.
4. Who built the Globe ?5. Who did the Globe belong to ?
Half the shares in the new theatre were kept by the Burbages. The rest were assigned equally to Shakespeare and other members of the Chamberlain's Men (the company of players who acted there), of which Richard Burbage was principal actor and of which Shakespeare had been a leading member since late 1594.
It was the lack of money to pay for it that produced the new consortium. The Burbage sons' inheritance was tied up in the Blackfriars, so extra finance was needed. That was why Shakespeare and another four of his fellows were made co-owners of the new Globe.
6. When the Globe was built , there were two other theatres in Southwark already. Which ones ?Acting at the Globe was radically different from viewing modern Shakespeare on screen.
The plays were staged in the afternoons, using the light of day. Therefore, all references to weather or time of the day had to be given to the audience through the text.
The audience surrounded the stage on all sides. No scenery was used, except for occasional emblematic devices like a throne or a bed. It was almost impossible not to see the other half of the audience standing behind the players. Consequently much of the staging was metatheatrical, conceding the illusory nature of the game of playing, and making little pretense to stage realism .